Tag Archive for: non-fiction

I’m Glad My Mom Died by Jennette McCurdy

/in /by

As a reader I generally gravitate toward novels. From time to time, however, I enjoy reading memoirs. I’ve never written a memoir, but I can imagine it sometimes proves difficult to say what one wants to say while worrying about hurting feelings of family or other personal relationships. Or, deciding if the memoir should even be written in the first place. A solution of celebrity actress Jennette McCurdy: wait until that someone dies. McCurdy’s I’m Glad My Mom Died chronicles her career as a child actress rising to stardom and her heartbreaking relationship with her abusive mother. While this topic could easily become an angry tirade, McCurdy’s memoir is darkly humorous, earnest, and a quick read, albeit gut-wrenching. 

No doubt one of the most striking aspects of the book is its title and cover art. Don’t hate me here, but I’m going to use a familiar idiom: don’t judge a book by its cover. The bright, pastel colors of the cover art combined with McCurdy smiling as she holds a pink urn, along with the obvious title, does very much give the impression that McCurdy is happy her mom has died, and in some ways, she is. The cover serves as a shock to the system; I don’t know about you, but it’s not everyday that I see a book title announcing blatant cheer over the death of a parent. This is one of the aspects about McCurdy’s memoir that, for me, hits the nail on the head (surprise, another idiom!) as it immediately pulled me in and I wanted to know more. Within the memoir McCurdy details some of the physical, emotional, and mental abuse she received from her mother, and what I think pushes McCurdy’s memoir past the initial impression the title provides is that it examines how to process abuse from the hands of a loved one. I think McCurdy’s memoir may be judged too quickly or harshly because of the title, but what the memoir does is navigate the very complex relationship between abuse and love. 

McCurdy makes this possible with the way she sets up her memoir. The memoir’s opening chapter finds McCurdy and her two brothers at the side of their mother’s hospital bed, taking turns attempting to tell their unconscious mother something so shocking that it will rouse her from her coma. When McCurdy gets her turn she believes she has the perfect thing to wake her mother: she has reached a total weight of 89 pounds, her mother’s goal weight for her. McCurdy is in her early twenties at this point. 

From here McCurdy jumps back in time, starting when she is a child prior to her acting career, and proceeds through the rest of the memoir in timeline order. McCurdy relates entire happenings and conversations from her childhood and teenage years, often with her overbearing mother, as well as the thoughts and feelings her younger self had at the time. This provides insight into the evolution of McCurdy’s acting career, the abuse she suffers, and her love for and relationship with her mother during various points of her life. McCurdy describes what it was like growing up acting (which she did to please her mother), the ups and downs of being a Nickelodeon star, her relationships with fellow actors (this reaffirmed my belief that Miranda Cosgrove is a kind human), and how being a child actor has shaped her life today. McCurdy also describes her struggles with addiction and eating disorders, which her mother introduces her to as “calorie counting” during adolescence. 

I’m glad I read McCurdy’s memoir. It is well written and has a good deal of wit and sarcasm akin to what fans of McCurdy’s iCarly character Sam Puckett might expect. I listened to the audio version that is read by McCurdy herself, making the experience of the memoir even more personal. McCurdy candidly shares quite a lot of herself in this memoir, and while her story is raw and difficult at times, she demonstrates an openness that deserves to be recognized. 

Find in catalog

Review by Sarah Turner-Hill, Adult Programming Coordinator

Powers and Thrones: A New History of the Middle Ages by Dan Jones

/in /by

Pity the Middle Ages, so often derided as the dreary placeholder between the classical and modern eras. Or, worse, it’s a catchall for all things retrograde. Want to insult some people? Tell them that their ideas are from the Middle Ages or that their actions are medieval.

Dan Jones, author of Powers and Thrones: A New History of the Middle Ages, argues this thousand-year period of history deserves more respect. Not only does he indeed make the case, he does so by taking us through a full millennium in just under 600 pages. Such an endeavor could have been a slog to read, but he managed to produce the exact opposite, organizing a potentially unwieldy topic into sections that are both informative and enjoyable. In fact, Jones’ enthusiasm for this period of history, coupled with his strong narration, reignites the Middle Ages and shows how it’s foundational to understanding the modern world.

The Middle Ages had to follow a show-stealing act, of course: the mighty Roman Empire, with its many accomplishments. But Romanization came after the Legions marched through a land and subjugated any given population. Quoting Virgil, Jones notes that one such task of a conquering Roman was to “battle down the proud.” So when we read of the barbarians on the move toward the end of Roman rule, we know that the Roman world had its many cruelties as well.

As an example of waning Roman power in the fifth century, Jones tells of the plight of a far-flung Roman territory: Britain. Invading Saxons prompted native chieftains to write a pleading letter to a Roman general. “The barbarians drive us to the sea, the sea drives us to the barbarians. Between these two modes of death we are either killed or drowned.” How was the letter received? It was labeled the “Groan of the Britons.” The Brits were on their own.

Huns stampeded westward, possibly—as tree ring data suggests—to escape a “megadrought.” Their movement and eventual demise prompted other tribes to wander and conquer. There’s a lot to take in, and only occasionally do you come across an arid sentence such as, “Meanwhile, across the Alps a barbarian group known as the Lombards…” The fact that a lackluster sentence stands out is meant as a compliment, for, again, it demonstrates that most of Jones’ narrative has some verve.

Jones smartly forms his chapters so that they can be optioned into standalone readings. You can jump past, say, the chapter on Byzantium and delve into the reading on the Arabs. And each chapter helps clarify the historical significance. Take the Arabs. The modern political map of the Middle East is illuminated by briefly reading its Middle Age history. Plus, during a time when post-Roman rule was being sorted out, the Arabs did their part by establishing houses of learning: libraries.

When Charlemagne, king of the Franks and the first Holy Roman Emperor, died in the ninth century, he had unified most of central and western Europe. It didn’t last. But, as Jones points out, unification became the persistent dream of many, including Napoleon Bonaparte, “another irresistible warrior and accumulator.”

I’m sure some of you are thinking, “I already knew that.” And no doubt many of you already know that Vikings founded the Kievan Rus on territory that now includes parts of Russia and Ukraine. The Mongol invasions of the 13th century shifted some power from Kiev to Moscow, a power dynamic that we all know is very much alive today.

Regardless of your historical familiarity, Jones does capital work in establishing a continuity that moves the history along. You have monks, plagues, crusaders, the rise of the merchant class, and the establishment of universities. On land, we have gothic architecture. On the sea, we have navigators in the process of opening up the world.

And, of course, we have knights. If you were to ask someone to word-associate the Middle Ages, “knights” would probably be a frequent choice. They, and their order of chivalry, live on in our imagination. Even today, receiving a knighthood in the United Kingdom is considered a great honor. Jones mentions that this imaginative spark was in the Middle-Ages mind as well, as evidenced “with a heroic new literature that painted knights as lovers and questers whose ethical code perfumed the dubious reality of the deeds.” There’s “The Song of Roland” from 1098. In the late 14th century, Chaucer gave the first tale in “The Canterbury Tales” to the knight. Arthurian legend even found its way to Richard the Lionheart, for on his way to the Third Crusade he claimed to brandish Arthur’s Excalibur.

With the Renaissance and the Reformation, we see both the rise of humanism and the power of individual action. Jones contends that quite a few of the names we associate with the Renaissance (Leonardo da Vinci, for one) were products of the Middle Ages. Nonetheless, the medieval period was coming to an end.

Primarily this is a book of political history. A cultural reading into the lives of everyday individuals is not within its scope. (He does tell us that the average human existence “hovered somewhere just above terrible.”) But this does not mean the discussed individuals are presented as mere soulless entities in a thousand-year political disquisition.

Jones, for example, shares the ending of Gelimer, a vanquished sixth-century Vandal king. He and a couple thousand other Vandal prisoners were marched into Constantinople’s Hippodrome. A full crowd was in attendance as he was made to surrender his royal robes and to lie prone at the feet of Emperor Justinian. The Byzantine emperor was in his lofty perch, and Gelimer was no longer a royal ruler over anyone or anything. The fleeting nature of prestige and political power was apparently at the forefront of Gelimer’s mind, for he calmly, and repeatedly, quoted from Ecclesiastes: “Vanity of vanities, all is vanity.”

Find in Catalog

Good Mail Day: A Primer for Making Eye-Popping Postal Art by Jennie Hinchcliff and Carolee Gilligan Wheeler

/in /by

In 2014 we, meaning Post Art Library (the privately funded not-for-profit arts organization located inside Joplin Public Library since 1981), put out a call for entry for mail art. The idea was to create a one-off exhibit of mail art received from all over the world to introduce locals to the medium and encourage their participation. At the time, I was myself somewhat new to engaging with mail art and my experience with the world-wide mail art Network – yes, that’s a thing – was limited at best. Yet there I was, helping to coordinate a mail art call for entry and co-curate the resulting show. Enter Jennie Hinchcliff and Carolee Gilligan Wheeler’s Good Mail Day: A Primer for Making Eye-Popping Postal Art.

This book differs from other mail art books that I’ve read (such as Mail Me Art by Darren Di Lieto and Correspondence Art, edited by Michael Crane and Mary Stofflet, both of which are wonderful) in that it’s not only a gallery of mail art, but a sort of mail art workshop, as the authors offer oodles of advice for how to make mail art, start a mail art project, and navigate the mail art world. Plus, it introduces readers to mail art terminology and, perhaps most importantly, mail art etiquette.

But what’s mail art? A basic, common definition of mail art (a.k.a. correspondence or postal art) is that mail art is when people send small-scale works of art to one another through the postal service, often with the package itself being considered the work of art. Frankly, that definition falls flat and fails to describe the vibrancy of this decades-long movement. In my experience, the best way to describe mail art is to hand someone a stack of it. The only sure thing about mail art is that it is, as Hinchcliff and Gilligan Wheeler write, for everyone: “Anyone can be a mail artist, regardless of skill level or style of artwork.” The mail art itself is all over the place and all mediums are welcome. (The authors remind us, however, not to send anyone anything that we don’t want to deal with in our own mailboxes, such as perishable items.)

Although mail art is for everyone, the Network, like any other, has some basic rules. Namely, that “every piece of mail art that comes into your mailbox should receive some sort of acknowledgement in return.” That is, send something back! In the mail art world, this reciprocity is known as documentation. “No returns” is another tenet of mail art exchanges, meaning that each piece you receive is yours to keep, just as each piece you send out is someone else’s to keep. I appreciate that Hinchcliff and Gilligan Wheeler tell us the rules and “Time-honored Traditions” of mail art culture at the start. It’s as if they’re telling us that if we cannot respect those rules, then we needn’t read further or participate.

Of course, there are non-Network rules that mail artists must abide by, such as those of the postal service (or services, when mailing internationally). As such, we’re reminded to become familiar with our local postal regulations and to keep in mind that mail is categorized based not only on shape, but on thickness and weight. For example, if an envelope exceeds the maximum dimensions or thickness, then it may be categorized as a package and, accordingly, require more postage. The chapter that touches on regulations also includes “The Ten Commandments of Mail Art,” “The Seven Sins of Mailing,” and “Seven Suggestions for Shepherding Your Mail Art Safely to Its Destination.” You’ll also find tips on wooing your mail carrier and becoming friends with those who work in the post office.

The bulk of the book isn’t about defining mail art or mail art rules, but about having fun and making mail art. A few pages cover turning everyday objects, such as produce stickers, wrappers, leaves, and bird feathers into mailable mail art. What to do with those old dryer sheets? Mail them! As the authors discovered, they make for durable mail art. The point is that you may creatively make use of whatever you have nearby and whatever you find laying around, like found objects, old catalogs, junk mail, etc.

Ideas for decorating and illustrating envelopes, whether ready-made or those you create yourself, are included in this title, as are other techniques, such as paper-folding, texturing, and creating patterns, as well as stenciling, faux postage and artistamps, refining your handwriting, finding pen pals, and developing your postal personality.

My old friend, Chapter 10, details how to start a mail art project of your own, including writing a call for entry, creating documentation, and developing a correspondence register, which is more involved than keeping a list or address book of mail art contacts because it has more information. For example, a correspondence register might have columns for name, address, what you received, when you received it, what you sent back, when you sent it, and any other tidbits that you’d care to include. Trust, when coordinating a mail art project, which involves sending documentation (i.e. mail art thank yous) to those who send to you, a register is handy!

“You Can Take It with You: The Traveling Mail Art Kit,” is one of my favorite chapters. In the chapter, the authors emphasize that “mail art can happen anywhere, at any time, and in any place.” Think a waiting room that you’re stuck in, when you’re on hold making a phone call, or utilizing public transportation, or some such situation. The idea behind the mail art kit is that it’s possible to make mail art even when time is limited. The “Suggested Items for a Well-stocked Mail Art Kit” list is great, though your kit may contain whatever you like. What’s in my kit varies from time to time, though at minimum it includes stamps, stationary, and a few envelopes.

Peppered throughout the book are mini-interviews with mail artists from around the world, as well as great visuals, with the book ending with a mail art gallery followed by a contributor’s list, further resources, and an envelope template. Interestingly, the authors became friends when getting to know one another through mail art after meeting at a book arts event. Thus, the mail art that they’ve exchanged is a visual account of how their friendship developed—so cool!

So, is Good Mail Day a good primer for aspiring mail artists? Indeed, as it continues to guide me through what started as a one-off mail art project in 2014 and has since turned into an ongoing project for our growing collection. At the time of this writing, we have 300+ pieces of mail art from around the world in our collection and we’re about half-way into our third mail art exhibit, which is accompanied by an active call for entry. Visit us at www.postartlibrary.org to learn more about Post Mail Art Projekt 2021: Show Me Mail Art and check out Hinchcliff and Gilligan Wheeler’s Good Mail Day to learn how to get started.

As always, happy reading. And happy mailing!

How the Post Office Created America: A History by Winifred Gallagher

/in /by

I fancy sending and receiving mail: cards, letters, mail art, packages, and postcards. I delight even in receiving unsolicited consumer catalogs and other junk mail that make for great collage material. In a word, mail is fun. At its inception, however, what came to be our country’s postal service wasn’t meant for fun, but for a “secure, independent communications network so that [our country’s co-founders] could talk treason and circulate the latest news without fear of arrest.”

Readers interested in the history of the United States Postal Service or the history of the founding of America will find Winifred Gallagher’s How the Post Office Created America: A History fascinating. Throughout the book, Gallagher draws parallels between the development of the postal system and that of our country, illustrating that one could not have happened without the other.

In addition to needing a way to “talk treason,” our forefathers desired a way to disseminate information to the public in post-Revolutionary America. Prior to this time, mail, which was then the only means of remote communication, was a privilege rather than the given that it is today. Those who lacked access to this communication network also lacked access to information. The postal service was increasingly relied upon as a means to educate the public about our country’s development and encourage their participation. Newspapers are among the first materials to be mailed to the masses. In fact, it was common for printers to double as postmasters. The distribution of newspapers via the postal service helped democratize access to information similar to how the post democratized access to communication.

But it wasn’t easy and it didn’t happen overnight. Gallagher expounds on the challenges that beleaguered the post. Transportation, for example. The earliest mail carriers were post riders. Men, usually, though not always, who carried the post on horseback and rode tirelessly to their destinations or to hand the mail off to their relay (not unlike a relay race). This was especially dangerous in a mostly unsettled country thick with uncertainty and thin, at best, with the infrastructure required to carry out the service.

Post roads were mapped to connect the country, as well as to shape its settlement. Mail was increasingly delivered by stagecoach (so called because it would stop at various intervals, or stages, along the way). By 1813, Congress authorized steamers to carry mail and, in 1823, “all waterways” were declared post roads. The development of the postal service is closely tied to that of the railroad with a sort of public-private partnership that led to the Railway Mail Service, which, until aviation came along, was the most efficient method of transporting the mail. According to Gallagher (and she makes a great case), the postal service single-handedly supported the aviation industry by subsidizing its infrastructure.

Transportation wasn’t the mail’s only challenge, however. Another was safety. Not only that of postal employees, but of the mail itself. Especially during the post rider, stagecoach, and railway days, it was not uncommon for the mail to be stolen. When mail traveled via railway it did so in wooden train cars that were placed behind the engine car, which meant that it was susceptible to fire, endangering both employees and the mail.

Finances were yet another challenge. In the early days of the American postal service, it was not the sender who paid for personal correspondence, but the recipient. One went to the post office (because that was the only option prior to home delivery) and asked for their letters and paid only for those that they wished to receive. Not surprisingly, this was costly. Not to mention the accumulation of unwanted letters, which ended up in the Dead Letter Office (an interesting destination and story in and of itself).

The postal service did more than overcome challenges, though. It changed America’s social landscape. During the Victorian era, letter-writing became extremely popular, especially among women. So much so that post offices installed separate windows for women to pick up their correspondence so as to keep aligned with that era’s social mores (i.e. to keep the women from the men, especially because, at that time, post offices could also double as places of vice). Books about the etiquette of writing letters abounded and stamp lockets, a locket containing stamps worn on a chain around the neck, became popular, as did stamp collecting.

In her final chapter, she examines the postal service’s missed opportunity to provide the Internet as a non-profit public service rather than our current privatized for-profit system. When considering how different access to electronic communication and information might look had the post prepared for a digital future, she imagines: “They would have insisted that every post office in America become a neighborhood media hub equipped with a bank of computers that enable citizens to go online for little or no expense–a service now provided by more than sixty nations around the world, to say nothing of America’s own public libraries, where people que up or take a number for online access.”

These considerations have merit. After all, the postal service and the Internet are not unlike one another. Both came about to fulfill the need for remote communication and the dissemination of information, while helping to democratize access in the process. Interestingly, public perception of both has been, at times, similar. To wit: It was feared that mail order catalogs and buying/selling goods through the mail would destroy local businesses much like it’s feared that buying/selling goods online will do the same.

Gallagher details America’s long, winding postal road with an intriguing history that spans two centuries while skillfully supporting her claim that the post office created America. In the final words of her afterward, “Whither the Post,” Gallagher encourages us “to reflect on what the post has accomplished over the centuries and what it could and should contribute in the years to come” before deciding its future. To state it simply, reading this title has only strengthened my opinion that, too often, our postal service is taken for granted.

As always, happy reading.

Find in Catalog

It’s National Poetry Month!

/in /by

A Dazzling Display of Dogs by Betsy Franco, illustrations by Michael Wertz

iF: A Treasury of Poems for Almost Every Possibility edited by Allie Esiri and Rachel Kelly

 

I’m so excited! April is National Poetry Month!  In 1996, the American Academy of Poets launched this annual celebration to “remind the public that poets have an integral role to play in our culture and that poetry matters”. Poetry is a rich gift offering something for everyone. Whether formal or informal, fancy or casual, long or short, poetry is a gateway to the universe. It explores the past and worlds unknown, speaks what the heart cannot say, brings solace and strength, yelps with joy, makes us laugh.

If you’ve only encountered dry, dusty poems or have only had poetry forced upon you, try one of these books instead. Both of them are great for family time or solo reading, and both, along with other poetry books, are available through the Library’s OverDrive/Missouri Libraries 2 Go e-resource found at https://molib2go.overdrive.com/missouripldc-joplin/content or the Libby app.

You’ll find a variety of verses–rhyming and not–and subjects in these poems. They are fun to see and hear! Try reading them aloud, play around with the tempo, feel the rhythm of the words. For extra fun, try reading outside! It’s a super opportunity to explore poems on your own or to build language skills with kids and is easily adaptable to electronic communication.

An easy place to start is with iF: A Treasury of Poems for Almost Every Possibility, an anthology of well known or frequently taught poems with a smattering of less well known verses from famous poets. British editors Allie Esiri and Rachel Kelly created an app to connect kids to poetry and have collected their favorites to encourage poetry time at home. Their selections range from nursery rhymes to nonsense verse to love poems to historical ballads–lots of familiar territory here. Plenty of famous, pre-20th century names are included–Wordsworth, Poe, Shakespeare, Dickinson, Browning, Rossetti, Robert Louis Stevenson, A.A. Milne, Lewis Carroll, among others–with a smattering of later poets.

iF offers helpful aids to understand poetry’s structure and to connect poetry to children’s lives. Esiri and Kelly include a glossary of poetic forms and terms accessible to families exploring how poems work. The editors also divide the book into sections such as “Growing Up”, “Humor and Nonsense”, “Animals, Nature and Seasons”, and “Bedtime”; each section starts with easier poems and progresses to longer, more complex ones. Many poems have short explanatory notes from the editors. An index of authors and index of titles make it easy to search for a familiar entry. Most helpful is the “Poems for Possibilities” list which suggests poems for different situations such as needing courage, seeking guidance, facing grief, or needing “a pocket full of peace”.

While iF is a gateway to read-aloud poetry, A Dazzling Display of Dogs is proof that poetry can be a feast for the eyes and ears. Poet Betsy Franco has transformed dog stories from elementary students into lively concrete poems which dance across the pages. Concrete poetry often refers to poems with outlines depicting a recognizable shape and which may or may not rhyme–a verse about a bell written in the shape of a bell, for example. Here the poems are artworks with a life of their own. Illustrator Michael Wortz uses each poem’s shape to create energetic scenes in a palette of blues and warm reds, oranges, and yellow. He layers shapes and textures in a look resembling cut paper come to life.

Suitable for reading cover to cover or randomly, Franco’s book is chock full of delight. Try “Fast Al, the Retired Greyhound”, a former track racer whose story is told in the circular path he runs on the beach. Or check out “Apollo at the Beach” which shows a yapping dog chasing swooping seagulls of text. “Emmett’s Ode to His Tennis Ball” is a riot of yellow and blue with a “slobbery, sloppy, slimy sphere” of poem in his mouth. “White Collar Blues” is a Cone of Shame worn by Mathilda who is having none of it.

There’s plenty of fun to be had during National Poetry Month.  For virtual activities from the American Academy of Poets, check out https://poets.org/ and click on “National Poetry Month” at the top of the screen. See the Library’s webpage for links to our e-resources for books of all sorts, http://www.joplinpubliclibrary.org/

Hope you enjoy the poetry of words and of nature this month!

 

A Trio of Space Non-Fiction Titles

/in /by

The Planets: Photographs from the Archives of NASA, text by Nirmala Nataraj

The Smithsonian History of Space Exploration: From the Ancient World to the Extraterrestrial Future by Roger D. Launius

The Practical Astronomer by Will Gater and Anton Vamplew

 

Temperatures have been chilly and, by the time you see these words in print, winter weather may have made its mark on the Four States.  What better time to think ahead to summer reading! I’ve spent the recent grey days anticipating sunshine and combing through titles for next year’s summer reading program.

Space is the theme for 2019’s summer reading fun, and the library is preparing to share “A Universe of Stories” with everyone.  It’s a rich topic: mechanical space exploration continues with the recent InSight lander on Mars plus next July will mark the 50th anniversary of the first lunar landing.  Publishers have noticed, and many interesting books featuring space and astronomy are out there. Take a look at these featured titles for engaging non-fiction with adult and teen appeal.

If you like space exploration but aren’t ready to commit to astronaut life, try The Smithsonian History of Space Exploration: From the Ancient World to the Extraterrestrial Future by Roger D. Launius.  Don’t let the long title deter you from the interesting content.  Chock full of illuminating text and a variety of illustrations, this selection provides a broad look at mechanical and human space endeavors.  The book follows chronological order with the first chapter an overview of astronomy and rocketry from ancient Egypt to World War II–a tall order for a single chapter.  The rest of the nearly 400-page tome brings space flight from the 1940s to the present encompassing lunar expeditions (the Apollo program), orbital systems (Space Shuttle, International Space Station), and observational voyages in and beyond our solar system (Voyager, Pioneer, Cassini).  The book ends with chapters featuring current efforts (Mars, space tourism) and speculating about future possibilities (lunar colonization, interstellar exploration). It’s a lot of ground to cover, but it’s done broadly and serviceably. This title is packed with fantastic illustrations–photographs, diagrams, charts, posters–plenty of engaging eye candy.  There are sidebars on various topics scattered throughout along with sections highlighting outer space in pop culture. Offer this book to teens with a passion for space exploration, aeronautics, or innovation history and to adults with broader interests. Approach this book over multiple, short visits for maximum enjoyment; don’t take on the entire universe all at once.

Picture books can be tons of fun for all ages.  The Planets: Photographs from the Archives of NASA is a fantastic example for the 12-and-older crowd.  With text by Nirmala Nataraj and a preface by Bill Nye (the Science Guy), the content pairs perfectly with the rich photographs.  Concise, informative captions pack facts with just the right amount of detail plus an observational tone, resulting in readable paragraphs that leave you eager for more without feeling overwhelmed.  It’s easy to linger over the amazing photography, enjoying the book in small portions and coming back to it again and again. There is definitely something new to see each time. Or, equally rewarding, indulge in all 251 pages at one sitting.  The book is versatile enough to handle either approach. Arranged in solar system order with a chapter for each planet, The Planets includes Pluto in the chapter “Other Bodies of the Solar System” along with the sun, various moons, a comet, and an asteroid.  However, NASA’s stunning photography is the real star here. Whether color or black-and-white, the images range from intriguing (“Martian Dust Devil”, page 107) to spectacular (“Venus Transit”, page 34) to achingly beautiful (solar images, pages 208-9).  The spread “A Backlit View of Saturn” (pages 150-51) alone is worth picking up the book.

Even if you love NASA photography, there’s something to be said for personally viewing the night sky.  The Practical Astronomer (2nd edition) by Will Gater and Anton Vamplew is a handy tool for doing just that.  Published by Dorling Kindersley, this book offers the usual DK goodness–clear illustrations, clean layout, bite-sized informative text, helpful sidebars–albeit in a compact package compared to their children’s titles.  The photographs, diagrams, drawings, and artworks shine without overpowering the factual content. Topics include an introduction to celestial bodies, star charts for both hemispheres year round, tips for viewing and recording the heavens, plus valuable reference tables of star stats to aid viewing.  My favorite section is “Pathfinders” which introduces constellations from around the globe; each two-page spread shows how to find the sequence in the sky, the location of major stars or objects within it, and the story behind its name. This title begs to be used rather than merely read; it’s a fantastic resource for casual stargazers, budding astronomers, family entertainment, Scout badges, or homeschool coursework.

Whether you’re an enthusiast or a dabbler when it comes to outer space, there are plenty of good books on the subject.  You can find these and many more at the Joplin Public Library–stop by and try one today!