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Moon Called by Patricia Briggs

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Mercy Thompson works as a Volkswagen mechanic in the Tri-Cities area of Washington State. Mercy is an expert mechanic that does restorations on the side, owns and runs her auto shop, and is its sole employee. Mercy keeps to herself, her cat Medea her primary companion. Yet Mercy’s life is not as simple as it seems (because, of course not). Mercy is a magical being known as a walker – she can shift from human form to a coyote at will. Mercy is the only one of her kind, but she is not the only supernatural being in this first novel of the Mercy Thompson urban fantasy series by Patricia Briggs.

Despite her loner tendencies Mercy has connections in the four other supernatural groups of the novel: vampires (Mercy is helping vampire Stefan fix his Scooby-Doo mystery machine van), witches (witch Elizaveta enjoys switching up the strength of her Russian accent when certain moods strike her), fae (Mercy bought her auto shop from its previous owner and her teacher, Zee, who is a gremlin), and most of all werewolves, whom Mercy was raised with. The magical beings in the novel live among the human population, some hiding what they are and all attempting to maintain copacetic lives alongside humans. While the novel does contain many supernatural elements and characters, Briggs’ unfolding of the fantasy world she has built is easy to follow with basic concepts any regular fantasy reader or new fantasy reader alike can enjoy.

The plot of the novel is set in motion when Mercy agrees to let a lone teenage werewolf that wanders into her shop work part time. Mercy soon discovers that this werewolf, Mac, is a recently turned werewolf that does not know anything about being a werewolf, and is thus dangerous to himself and those around him. When Mac is confronted at Mercy’s shop by a mysterious werewolf and human from his past, Mercy learns that Mac has just escaped from being held captive and experimented on. The experiment objective: to create and perfect a serum that can immobilize werewolves. To help Mac and put a stop to these brutal experiments Mercy enlists the help of the local werewolf alpha, Adam, who also happens to be her neighbor.

Events unfold rapidly from here, the novel is not short on action or drama. Mercy throws herself into uncovering the group behind the dangerous serum, propelled by her kind nature and her status as the only walker . When Adam is attacked and his daughter is kidnapped by the group, Mercy is forced to turn to the werewolf pack from her past, the very one that raised her. Old friends (and romances) come back into Mercy’s life as she finds herself more and more entrenched in the mystery of the werewolf serum and its potential danger to all supernatural beings. With help from her magical friends Mercy intends to save Adam’s daughter, prevent any future harm to others, and stop the use of the serum – simple, right?

I was pleasantly surprised by this novel. While it is fairly tame as far as its fantasy world and plot goes, that was one of the things I ended up enjoying most. The characters are funny and interesting and there are many aspects to the novel: fantasy, mystery, action, romance, and a consistent humorous undertone, which helped lighten the mood of the story. Mercy is a cool protagonist with unique magical abilities. She’s equal parts independent, capable, and tough while simultaneously being funny and compassionate. This is the type of series where the characters remain the same, but each novel is its own independent story. The latest and fourteenth book in the series was published this year. Briggs has written a cozy urban fantasy that is perfect for the upcoming fall season.

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Review written by Sarah Turner-Hill, Adult Programming Coordinator

Monstrilio by Gerardo Sámano Córdova

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Monstrilio by Gerardo Sámano Córdova is a book that has stuck with me. If you are a reader you likely know what I refer to – a book that lingers after you’re finished reading, one that leaves a mark. Monstrilio is that for me. In a past book review I mentioned that I have been exploring horror fiction, a genre that until recently, I didn’t really pick up. I’ve read a handful so far this year, Monstrilio being the most recent, and I am becoming more and more content with my new reading exploration. A debut novel, Monstrilio is a horror novel with literary leanings released in 2023 by Mexico City author Córdova. I think there are a lot of ways to describe this unique novel, it runs the gamut of emotions, but in essence this novel explores extreme sorrow and immense love through the story of a boy that becomes a monster that becomes a man.

The novel is told in four parts by four different main characters. It opens with Magos on the most devastating day for a parent: she and her husband, Joseph, lose their 11 year old son, Santiago, who dies from complications of living with one lung. In her grief, Magos opens the body of her son and removes a chunk of his lung. “One believes the stupidest things in grief,” Córdova writes, and this is one of those things. Magos believes if she cares for and feeds the piece of Santiago’s lung he will come back to her.

Much to her family’s surprise (and horror), it works…in a way. From the piece of lung grows a black furred, ferociously hungry being, or monster, if you’d like. However, he is not Santiago, although he carries some likeness in addition to the lung. Magos calls him Santiago, while Joseph and Lena (a good friend to Magos and Joseph) call him Monstrilio. 

What follows are short segments moving forward in time as Monstrilio matures, learning to adapt to his circumstance and live like a human. Following Magos’ narration is Lena’s, the friend and doctor in love with Magos who often helps care for Monstrilio’s not-so-human health. Then, Joseph takes over narration. Monstrilio is now a young adult living with Magos and going by his new name, M. Joseph and Magos have very different views on who M is, and have been separated since the death of Santiago. Yet something they have in common is their fierce love for M. 

Finally, the last part of the novel is told by M. The sections leading up to M’s are a slow burn, and M’s narration was my favorite part of the book. M is trying to figure out where he belongs in the shadow of someone else, but M has the added obstacle of not being completely human. He is battling his ever-present hunger for humans, the expectations of his loved ones, his desire to understand humans, and generally fitting in a world not created for him. M is the result of a monstrous decision made by someone else, in the throes of monstrous grief, and he does not know if he is M, Santiago, Monstrilio, a combination, or someone else entirely. 

Monstrilio is a stunning novel that wraps its characters in grief, love, and the persistence of both. It examines the lasting effects of grief and how, if we let it, our own grief can affect those we hold most dear and even turn us monstrous. The novel also explores the binding results of loyalty and acceptance of those we love. Monstrilio features dark themes and is the most gory horror novel I’ve personally read (I haven’t read many). That might be an immediate “no” for some readers, and an immediate “yes” for others; either way, the part horror, part literary meditation on emotions that makes up this novel was unexpected, unsettling, and simply wonderful. Córdova comes out swinging with this debut and I am looking forward to what he releases next. While Monstrilio did make me sad, it is a book that I won’t soon forget. 

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Review written by Sarah Turner-Hill, Adult Programming Coordinator

Weyward by Emilia Hart

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Weyward is author Emilia Hart’s debut novel. A historical fiction mixed with magical realism and gothic tones, the novel became a New York Times Bestseller and won two Goodreads Choice Awards: Best Historical Fiction and Best Debut Novel for 2023. Weyward is a split narrative following the lives of three women across five centuries. After I finished reading I knew I wanted to write a book review about it as I found it to be a genuinely good, well-crafted story.

1619: Altha Weyward recently lost her mother to illness, her only family and companion. Her mother taught Altha the ways of medicine and healing, but with caution. The healing Altha came to know from her mother is that of natural remedies, herbs, mixtures procured from nature – far from the practice of placing leeches on the sick as a form of treatment, as doctors commonly did. When Altha’s mother becomes sick she makes Altha promise to keep these ways of healing, and other secrets, safe and not to draw attention to herself. Altha and her mother know their village is not a safe place for them as unmarried women that practice healing, especially with the way animals seem to respond to Altha, and the pet crow her mother keeps. Yet, Altha cannot help putting down all their secrets and her deeds in a book she locks away in her cottage. Soon after the loss of her mother Altha finds herself on trial accused of witchcraft following the death of a man in her village.

1942: Violet Ayres has always had a fascination with plants and animals, the mechanics of the natural world. Living with her father and brother on an estate in complete isolation, Violet’s closest friends are the spider that lives under her bed, her nanny, and the insects she befriends while about their estate. Violet’s mother died when she was very young and her father is an unloving guardian, more interested in keeping Violet away from society so she doesn’t “become like her mother.” When Violet meets her cousin for the first time she is fascinated by someone new, and by the way he looks at her. All her observations of insects do not help her understand her cousin or the ways of the world. When Violet suddenly finds her safe world harshly torn apart she is forced to live alone in Weyward Cottage, once owned by her mother. Violet begins to discover why she might have such an inclination for animals and the natural world, and the history of her maternal side, helped along by a crow and a book she discovers, authored by a woman named Altha.

2019: Kate Ayres takes her burner phone, the funds she has been secretly stashing away, and a suitcase and flees her husband. Her destination: the cottage her great aunt Violet Ayres left for her when she passed away, a woman she met in childhood but barely knew. But anything is better than the repetitive abuse she receives from her husband. Over the years Kate has found herself shrinking who she is, lessening her hobbies and passions, cutting out her mother and friends, all to avoid her husband’s anger. Her father died saving Kate’s life when she was a child, and since then her love for animals and nature has been silenced. Kate is alone, scared, and does not know what to do next. Yet when she arrives at Weyward Cottage she begins to find herself in Violet’s belongings, in the garden, insects, and crows, and in a book left under lock and key by a woman named Altha.

The chapters of Weyward tell Altha, Violet, and Kate’s stories bit by bit, revealing how the three women and their stories connect, even separated by centuries. All three find themselves alone and isolated following life-changing experiences. Yet, they are not truly alone, for in themselves and by way of their connection to one another they find healing and purpose. Weyward is about the resilience and strength of women, the connection that comes from sisterhood, and trusting in oneself. Witchcraft and magic are implied elements, more of supporting characters to the women’s stories rather than front and center. I found Weyward to be a magical novel, despite being able to guess what was about to happen throughout the story; Emilia Hart managed to make what could be a predictable storyline seem new. Hart’s prose runs smoothly, her character development enough to have developed characters while also leaving room for imagination, and the audio version was read by three different narrators for Altha, Violet, and Kate (which I’m a big fan of). Weyward is perfect for readers looking for some magic and female empowerment in their lives.

Note: If you are considering reading Weyward I suggest reviewing the content warnings before picking up the novel.

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Review by Sarah Turner-Hill, Adult Programming Coordinator.

Our Wives Under the Sea by Julia Armfield

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I typically do not drift into the world of horror fiction because, in short, I’m a chicken that scares easily. Horror movies are not for me, either. I feel as if I am missing out on a chunk of literature that offers talented writers and grand stories, so to that end, I’ve been stretching my comfort zone and reading some horror fiction here and there. I say that cautiously as light horror has been my aim, I am in no means ready for something like Stephen King’s It, but perhaps one day. Something that I love about reading is the opportunity to explore and try new things, and to answer to no one but myself with what I choose.

Enter my most recent read: Our Wives Under the Sea by Julia Armfield. In learning more about this novel before reading it I saw some websites describing it as horror and thriller fiction, but what initially drew my attention was the interesting plot surrounding a strong theme of grief.

Our Wives Under the Sea is a split narrative, short and easy to listen to (I opted for the audio version) that follows couple Leah and Miri.

Leah and Miri used to have a happy marriage filled with fond memories that Miri reflects upon frequently. They met, fell in love, and were married. Leah’s work as a marine biologist would sometimes take her away on trips, Miri missing her dearly, but they would always come together again and pick up where they left off.

Until the last trip Leah went on: a voyage to the depths of the ocean with two other researchers to gather information, on what is not made clear, funded by a mysterious company. Alternating chapters between Miri, who is narrating in the book’s present time, and Leah, who is narrating by way of a journal kept during this research trip, it is revealed that this research trip did not go at all as Leah and Miri thought it would.

Both Leah and Miri are unreliable narrators for several reasons, but prominently because they are both struggling through grief, loss, and love. Miri is realizing that the life she once knew with Leah is no longer reality. She struggles with worry for Leah (who has come back different than she left), sorrow for herself, and questions that have no answers. Miri spends hours on the phone trying to contact the mystery agency that sent Leah and her two comrades on a submarine into the ocean, attempting to find out why the 3 week research mission turned into 6 months, and how to help Leah, who is changing more and more with each passing chapter of the book. Leah won’t respond to Miri’s questions, even in the therapist sessions they attend together, and Miri stops asking or really talking much to Leah, finding it so increasingly difficult to do so. Miri is not perfect in her care for Leah, but it is clear that Leah is all she really thinks about. Miri bounces between extreme grief and hopelessness, and glimmers of love and hope when thinking of her past life with Leah or when Leah gives just a little hint of who she used to be.

When Miri is contacted by the sister of one of Leah’s fellow researchers she becomes hopeful that perhaps she’ll finally know more about what happened to Leah and what she went through, but the answers she does receive just provides further murkiness to the situation. As the novel progresses Leah’s state declines, and Miri’s grief is palpable.

So as not to reveal too much I won’t write anything further about what happened to Leah while under the sea, or what she goes through when she returns. Armfield does an excellent job of revealing Leah’s story bit by bit to the reader in a manner that is suspenseful and at times, horrific. I am so glad I stepped out of my comfort zone and picked up this book. It was creepy and gothic enough to lend itself to the horror genre tag, but not overly so. Armfield’s writing is strong and oftentimes poetic, creating a heartbreakingly beautiful story. I was really feeling for and with the characters, and I think this novel lends itself well to different interpretations depending on the reader. This is a fluid novel that left me with more questions than answers, and it is one of my favorite reads so far this year.

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Review written by Sarah Turner-Hill, Adult Programming Coordinator

The Henna Artist by Alka Joshi

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In 2023 Joplin Public Library began a new adult program, Joplin Reads Together, the Library’s first community read. Community reads are popular at public libraries throughout the nation and offer an opportunity for a shared reading experience for members of the community. Joplin Reads Together happens in the month of April, centering around one novel with accompanying programs related to the novel, all culminating in a visit from the author of the chosen book. With Joplin Reads Together adult programming at the Library hopes to promote a sense of community, its organizations, reading, and community discussion. Joplin Reads Together is fortunate to have four local organizations as community partners: Friends of Joplin Public Library, Joplin Area Chamber of Commerce, MSSU George A Spiva Library, and Post Art Library. In 2023 our selected title was Remarkably Bright Creatures by Shelby Van Pelt; we spent the month of April enjoying programs related to the title and had the pleasure of hosting Shelby Van Pelt at our Library.

I am very excited to share this year’s selection: The Henna Artist by Alka Joshi. A historical fiction set in 1950s India, The Henna Artist is Joshi’s debut novel and the first in The Jaipur Trilogy. All of Joplin Public Library’s April adult programs are inspired by The Henna Artist, and on April 23rd Alka Joshi will visit our Library to discuss her book!

Set in the decade after India’s independence from British colonialism, The Henna Artist follows a young woman named Lakshmi as she escapes an abusive marriage and sets out to pave a new, brighter future for herself. Lakshmi moves from her small Indian village to the vibrant, bustling city of Jaipur where she begins to make a living for herself through her work as a henna artist. Henna is a traditional paste that temporarily dyes the skin. Henna designs are often elaborate and symbolize things such as good health or happy marriages.

Lakshmi does henna for the elite women of Jaipur, as her paste and artistry is one of, if not the very, best Jaipur has to offer. With this position comes both status and danger. Lakshmi spends hours with the elite, listening to their complaints about their husbands, their worries and fears, and all their drama. While this no doubt puts Lakshmi in the know and provides a more comfortable living, it also places her at a distance and in a precarious position. While Lakshmi knows and spends time with the most wealthy of Jaipur, she is not one of them herself and must be very mindful of what she says and how she carries herself for fear of losing any patronage.

Lakshmi is, for the most part, very good at this, except for the secrets she holds close. In addition to her henna Lakshmi provides additional services for her clients by way of her skills with herbs to create remedies and tea sachets that have varying purposes. Many of her henna clients purchase such sachets to help with things such as illness or conception. However, Lakshmi is hiding the fact that she also sells sachets to men in extramarital affairs or to women attempting not to conceive; some of these individuals are married to or are her clients.

Lakshmi must not only keep the secrets of her powerful clients for their safety, but also her own. When Lakshmi’s estranged husband arrives in town alongside a sister Lakshmi never knew she had her world is turned upside down and the life she has worked so hard to build is suddenly threatened. Lakshmi can’t imagine her husband is up to anything good, and her 13 year old sister Radha’s fascination with the upper class and the excitement of Jaipur can only spell trouble. Can Lakshmi hold onto the life she has worked so hard to create for herself, or will the return of her past force Lakshmi to start all over again?

Alka Joshi has created an eloquent, engaging novel that thrums with color. From the vibrancy of the characters to the immersion in Indian culture Joshi’s descriptive writing brings Lakshmi’s world to life and transports the reader to a different time and place. The representation of the upper and service caste systems as well as gender roles and what is expected of Lakshmi as a woman add to the historical aspect of the novel. Motherhood is a consistent theme in the novel and Joshi has stated in interviews that Lakshmi is based on her own mother and her experiences in India. The Henna Artist is perfect for readers that want a good story that sticks with them and that enjoy being taken to another place and learning about other time periods and cultures.

I am very excited to hear Alka Joshi speak about The Henna Artist in person and I hope that if you read this novel you’ll join the Library in welcoming her to Joplin in April. If you are interested in participating in Joplin Reads Together or want to learn more about it visit the Joplin Public Library website at joplinpubliclibrary.org/joplinreadstogether or visit the Library. Joplin Reads Together is designed for adults and a library card is not needed to participate.

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Review written by Sarah Turner-Hill, Adult Programming Coordinator

The Last Tale of the Flower Bride by Roshani Chokshi

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What begins as a whirlwind romance quickly turns into a gothic fairytale in Roshani Chokshi’s haunting The Last Tale of the Flower Bride. Typically an author of middle grade and young adult books, The Last Tale of the Flower Bride is Chokshi’s first adult book, a split narrative centered around three characters and their love for fairytales.

When a scholar of myth and fairytale receives an invitation to view a one-of-a-kind manuscript from a private family collection, he jumps at the opportunity. He meets with Indigo Maxwell-Castenada, the manuscript owner, but the manuscript’s rarity is eclipsed by Indigo herself. A beautiful and mysterious heiress also captivated by fairytales, Indigo is unlike anyone the man has ever met; they fall in love and plan to marry. Before they marry, however, Indigo makes the man promise to never ask about her past. The man, simply known as the bridegroom, accepts Indigo’s strange request.

Not long after they are married Indigo learns her aunt is dying and is thus called upon to return to her childhood home, the House of Dreams, to tend the estate. The bridegroom has never seen a manor like the House of Dreams with its eerie décor, peculiar rooms, and fading grandeur. There is also a lingering shadow of another person in the home: Indigo’s close and only childhood friend, Azure, who suddenly disappeared years prior. As the bridegroom explores the manor and finds traces of the adventures the two girls had he begins to have questions about Indigo’s past that have him unsure if he will be able to heed her request.

It is at this point in the novel the reader begins to learn more about Azure, the second narrator, who is narrating from her and Indigo’s adolescent years. Azure lives down the road from the House of Dreams with her mom and her mom’s unsettling boyfriend. She often walks by the House of Dreams, marveling at the home, the possibilities and the secrets it seems to offer. On one such walk Azure meets Indigo, who invites her inside the gates. They immediately bond over their dreams of a fairyland where they can run away and never look back (much like Indigo and the bridegroom’s first encounter). Years pass and Azure and Indigo grow up together, becoming closer and closer, spending all their time together, creating for themselves a cocoon of fairytales and friendship.

But Indigo is not the nicest person, often mean-spirited, even to Azure and the bridegroom. The split narrative reveals the parallels between Azure and the bridegroom: both of their worlds center completely around Indigo and the easy freedom of her lifestyle. Indigo is privileged, insistent upon her fairytale future and soon-to-be magical abilities, and takes charge of every situation. While it is often easy to dislike Indigo, Chokshi creates her in a way that is also complex, with an air of mystery and intrigue surrounding her. The three characters become more and more interlaced with one another due to their love of magic and fantasy, but also due to their love for Indigo. The bridegroom has to know: what happened to Azure?

At its heart The Last Tale of the Flower Bride is character driven, as much a gothic fairytale as it is a coming-of-age story focused on human nature, connections, and the darkness that comes with secrets. There is mystery, a touch of horror, some romance, and an ever present feeling of a haunting atmosphere. The novel’s characters are dedicated to fairytales while being part of one themselves. It is not always easy to guess what will happen next and I found myself both intrigued and repulsed by Indigo, just as some of the novel’s characters are. Chokshi’s writing had me easily invested in the gothic themes and characters. Both grim and entrancing, The Last Tale of the Flower Bride is perfect for readers that enjoy dark fairytales.

Note: If you are interested in reading The Last Tale of the Flower Bride you might consider looking at the content warnings before picking up the novel.

Review written by Sarah Turner-Hill, Adult Programming Coordinator

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Hester: A Novel by Laurie Lico Albanese

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Set in Salem, Massachusetts in the early 1800s, Hester by Laurie Lico Albanese imagines the inspiration behind Nathaniel Hawthorne’s The Scarlet Letter. Hester is told from the point of view of Isobel, a woman that the novel suggests inspired Hester Prynne. 

Isobel Gamble is a 19 year old skilled seamstress who lives in Edinburgh, Scotland when she marries Edward. Their marriage is more out of convenience, rather than a romantic match, and Isobel’s inheritance isn’t bad for Edward, either. Edward works as an apothecary but has fallen under the spell of opium. Because of this soon after Isobel and Edward marry they leave Scotland due to Edward’s growing debt. Their destination: Salem, Massachusetts. 

The Salem depicted in Hester is bustling and full of secrets, the witch trials of its past still whispered about. Isobel is an outsider in Salem, both enthralled and trepidatious of their new home, while Edward throws himself into his apothecary business and soliciting investments from men around town. Only a few days after their arrival Edward announces to Isobel that he has been employed by a ship as a doctor and is setting sail, unsure of when he’ll return. While Isobel seems frustrated by her circumstances, she isn’t necessarily sad to see Edward leave.

Alone with little money Isobel begins work in a dress shop, utilizing her sewing skills to survive. In addition to her financial trouble Isobel knows no one. She begins an attempt to make a place for herself, dutifully reporting to work, attempting to get to know her neighbors and the other outcast women of the town, until one day she meets Mr. Nathaniel Hawthorne (yes, THE Nathaniel Hawthorne). 

The two have an instant connection. Nathaniel, or Nat as Isobel calls him, is only a few years older than Isobel. He is handsome, mysterious, and troubled by the role his family played in the witch trials of Salem’s past. All he wants to do is write, but family obligations hold him back. Nat seems to be drawn to Isobel’s uniqueness and beauty, and lower social standing. But Isobel is mysterious too, as she is hiding a family secret. Women in her family, Isobel included, see colors when they see letters. When Isobel sees the letter A she sees the color scarlet (now why does that sound familiar…). Modern times would explain this as a biological neurodevelopment called synaesthesia, but in 1800s Salem this would be seen as witchcraft (Isobel herself wonders if she has powers). Isobel has told no one but the reader of her condition. 

As weeks pass Edward’s return from sea becomes more and more unlikely, and Isobel and Nat’s connection becomes harder and harder to ignore. As you might have already guessed, Isobel and Nat begin an affair. The two hide it the best they can, staying away from one another in public and only seeing each other at night. Isobel is Nat’s muse and Nat is the only one Isobel can truly be herself with. As Isobel finds herself falling in love with Nat, she reveals the truth of her synaesthesia. But Nat’s moods change like the wind and Isobel is unsure of where they stand. Isobel must decide if her future includes Nat, Edward, or simply, herself. 

I thought that the imagining of potential inspiration for Hawthorne’s most well known novel was intriguing to think about and a cool concept for a novel. The research evident in Hester is compelling, depicting historical Salem, witch trials, representations of marginalized peoples and women that were seen as “unusual” (Isobel falls into this category). A little mystery, a little romance, and a lot of history, Hester is a good read for anyone interested in historical fiction standalones that are tied to classic literature.

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Review by Sarah Turner-Hill, Adult Programming Coordinator

Enjoyable Audiobooks

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When I was younger I went through a phase where I turned up my nose at the thought of audiobooks. “That isn’t real reading” I recall my smug self thinking. Well, younger self, here I am today, writing a dedication to audiobooks. 

For me an audiobook is many things. They’re a way to multitask, listening to a book while I cook, clean, exercise, pretty much any daily task that has my mind wandering or thinking “it’d be really nice to know what happens next in my book.” They’re a companion in the car or on a walk. But what I’ve found most is audiobooks are a performance and a connection with the story. Anyone that listens to audiobooks has likely experienced the ones that do not have ideal narrators, an otherwise good book falling flat because of the narration. To that end what follows are three audiobooks I listened to this year that are not only good books, but good audiobooks.

 

The Sentence by Louise Erdrich

Set in Minneapolis and spanning from November 2019 to November 2020 The Sentence follows Tookie, a woman who has recently been released from federal prison for a laugh-worthy crime. Becoming an avid reader during her time in prison, Tookie takes a job in a bookstore upon her release. Tookie soon discovers the bookstore is haunted by the ghost of Flora, the store’s most dedicated and annoying customer, even in death. What begins as a crime caper, ghost story mashup soon turns into a deep contemplation on the Covid-19 pandemic, George Floyd, the Black Lives Matter movement, and the historic horrors and culture of Native Americans that often permeates Erdrich’s novels. While this might sound like a confusing culmination of themes it is executed expertly in the moving fashion common for the Pulitzer Prize winning author. Erdrich herself narrated the audiobook I listened to, and if there is ever an opportunity to listen to an audio with the author as narrator I will happily take it. Erdrich is the best person to bring the story to life, invoking Tookie’s experiences through one of the most tumultuous years of modern history with the soul she wrote into this novel. 

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 The Diamond Eye by Kate Quinn

Kate Quinn is an author of historical fiction, her novels generally focused upon a female protagonist. In The Diamond Eye Quinn fictionalizes the true story of Russian female sniper Lyudmila “Mila”  Pavlichenko. Mila is a single mother studying as a history student in Kyiv when Hitler invades Ukraine and Russia. Mila’s life forever changes, as she leaves behind her history books for a sniper school. Mila soon rises to be one of the best and well known Russian snipers, with over 300 kills to her name; this earns Mila the nickname Lady Death. Her country decides to use Mila’s renown by sending her on a goodwill tour to Washington, D.C., where she spends time at the White House and befriends First Lady Eleanor Roosevelt. However, it doesn’t take long for danger to once again find Mila. This novel is full of history and Mila was a person I greatly enjoyed getting to know, full of strength, determination, and hope in a struggling time. The audiobook I listened to is narrated by Saskia Maarleveld, a prolific narrator in the audiobook world. What I particularly enjoyed about the narration is the seemingly easy transitions from the various accents and languages in the novel. Listening to this made me want to read more of Quinn’s novels. 

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The Anthropocene Reviewed: Essays on a Human-Centered Planet by John Green

I haven’t picked up a John Green book since several of his novels made a mockery of my teenage heart (I’m looking at you, The Fault in Our Stars), but I was interested in Green’s recent essay collection The Anthropocene Reviewed: Essays on a Human-Centered Planet. The collection contains numerous essays reviewing various topics within our current geological age, such as the Lascaux Cave Paintings, Viral Meningitis, Canada Geese, and Teddy Bears. Whatever the topic, Green fills the reviews with humor, personal tidbits about experiences with the chosen topic, factual information, and insightful reflections. The essays demonstrate a masterful ability to begin with what seems like a straightforward topic (for example, Wintry Mix) and take the reader through an empathetic reminder to wonder, to pay attention to what is around us and our part in it. At the end of each essay Green gives a rating for what he reviewed based on a 5 star scale. I listened to the version narrated by Green, and while I enjoyed the collection as is, Green’s narration took it to a different level, pulling me along his introspective journey through the Anthropocene. And, as a seasoned reader of Green’s novels, I couldn’t help slightly fangirling over the deep dive into his mind. I give The Anthropocene Reviewed: Essays on a Human-Centered Planet 4.5 stars.

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Audiobooks can be checked out from the Joplin Public Library in CD form, as well as electronically from the digital borrowing platforms Libby and Hoopla. 

Review by Sarah Turner-Hill, Adult Programming Coordinator

 

I’m Glad My Mom Died by Jennette McCurdy

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As a reader I generally gravitate toward novels. From time to time, however, I enjoy reading memoirs. I’ve never written a memoir, but I can imagine it sometimes proves difficult to say what one wants to say while worrying about hurting feelings of family or other personal relationships. Or, deciding if the memoir should even be written in the first place. A solution of celebrity actress Jennette McCurdy: wait until that someone dies. McCurdy’s I’m Glad My Mom Died chronicles her career as a child actress rising to stardom and her heartbreaking relationship with her abusive mother. While this topic could easily become an angry tirade, McCurdy’s memoir is darkly humorous, earnest, and a quick read, albeit gut-wrenching. 

No doubt one of the most striking aspects of the book is its title and cover art. Don’t hate me here, but I’m going to use a familiar idiom: don’t judge a book by its cover. The bright, pastel colors of the cover art combined with McCurdy smiling as she holds a pink urn, along with the obvious title, does very much give the impression that McCurdy is happy her mom has died, and in some ways, she is. The cover serves as a shock to the system; I don’t know about you, but it’s not everyday that I see a book title announcing blatant cheer over the death of a parent. This is one of the aspects about McCurdy’s memoir that, for me, hits the nail on the head (surprise, another idiom!) as it immediately pulled me in and I wanted to know more. Within the memoir McCurdy details some of the physical, emotional, and mental abuse she received from her mother, and what I think pushes McCurdy’s memoir past the initial impression the title provides is that it examines how to process abuse from the hands of a loved one. I think McCurdy’s memoir may be judged too quickly or harshly because of the title, but what the memoir does is navigate the very complex relationship between abuse and love. 

McCurdy makes this possible with the way she sets up her memoir. The memoir’s opening chapter finds McCurdy and her two brothers at the side of their mother’s hospital bed, taking turns attempting to tell their unconscious mother something so shocking that it will rouse her from her coma. When McCurdy gets her turn she believes she has the perfect thing to wake her mother: she has reached a total weight of 89 pounds, her mother’s goal weight for her. McCurdy is in her early twenties at this point. 

From here McCurdy jumps back in time, starting when she is a child prior to her acting career, and proceeds through the rest of the memoir in timeline order. McCurdy relates entire happenings and conversations from her childhood and teenage years, often with her overbearing mother, as well as the thoughts and feelings her younger self had at the time. This provides insight into the evolution of McCurdy’s acting career, the abuse she suffers, and her love for and relationship with her mother during various points of her life. McCurdy describes what it was like growing up acting (which she did to please her mother), the ups and downs of being a Nickelodeon star, her relationships with fellow actors (this reaffirmed my belief that Miranda Cosgrove is a kind human), and how being a child actor has shaped her life today. McCurdy also describes her struggles with addiction and eating disorders, which her mother introduces her to as “calorie counting” during adolescence. 

I’m glad I read McCurdy’s memoir. It is well written and has a good deal of wit and sarcasm akin to what fans of McCurdy’s iCarly character Sam Puckett might expect. I listened to the audio version that is read by McCurdy herself, making the experience of the memoir even more personal. McCurdy candidly shares quite a lot of herself in this memoir, and while her story is raw and difficult at times, she demonstrates an openness that deserves to be recognized. 

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Review by Sarah Turner-Hill, Adult Programming Coordinator

All My Rage by Sabaa Tahir

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I first stumbled upon author Sabaa Tahir when her fantasy series An Ember in the Ashes was suggested to me. While this book review does not cover that series it was fabulous and I have since suggested it to those interested in the fantasy genre. So when Tahir released a standalone book in 2022 I knew I had to read it, and I am so glad that I did. Something that has drawn me to Tahir is her prose. Tahir is an author that can invoke in readers the emotions that her characters are experiencing, possessing a talent for bringing to life emotions that typically can only be felt. That being said, Tahir’s writing might not be for every reader as she does not shy away from “negative” emotions or topics; on the contrary, she explores them, putting them right in your face, and makes you listen. All My Rage follows two Pakistani American high school students as they navigate trauma and healing, and how to do so together.

Misbah is from Lahore, Pakistan, where she married as a young woman before her and her new husband immigrated to California to experience the American Dream. Misbah’s dream comes to life when they become owners of a motel, which she names The Cloud’s Rest Motel. Misbah takes care of the motel and the finances as her husband struggles with alcoholism. Misbah’s passions are the motel and her son, Salahudin, and Salahudin’s best friend, Noor. 

Salahudin (Sal) has never entirely fit in with his fellow students until, in elementary school, a new student walks into his class: Noor. Noor is like him, a Pakistani American struggling to make friends and find a place in the world. This instantly draws the two together and they become as close as family until high school when they have The Fight. Now they aren’t talking and everything is going wrong. When tragedy strikes Sal is faced with an impossible situation that brings Noor back into his life. 

Noor moved to America when she was 6 years old following a tragedy that put her in the care of her uncle, who owns a liquor store in California. Noor finds kinship with Sal, a fellow outsider, and Misbah, who is like a mother to her. Despite this Noor struggles to both be accepted and fit into the culture around her, yearning for the culture she never got to fully experience in Pakistan. Noor’s uncle is impossibly strict, and when Sal and Noor get into The Fight, Noor is left feeling completely alone, even cutting communication with Misbah. When Sal attempts to save The Cloud’s Rest Motel Noor is caught in the backlash, forcing both of them to discover what friendship is worth.

All My Rage is narrated by these three complex characters, jumping to the past for Misbah’s narration, and the present for Sal and Noor’s. All three characters are simultaneously reeling from the tragedies of their past while facing down the tragedies of their present. Intermixed they are also finding love and friendship. Sal and Noor have a friendship that, even in the wake of The Fight, runs deep, providing moments of hope and laughter within the novel. The novel highlights, among many other things, the struggles individuals who immigrate and their children can go through, and how dark life can be. Yet within that darkness Tahir also provides light, layering devastation with a story that is truly moving.

Note: If you are considering reading All My Rage I suggest looking at the content warnings before reading. 

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Review by Sarah Turner-Hill, Adult Programming Coordinator