Tag Archive for: thriller

The Fields by Erin Young

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Robyn Young writes historical fiction in her home country of England. Under the pseudonym Erin Young, she has crossed the pond, at least in print, and penned her first thriller. Set in Waterloo, Iowa and the surrounding farm country, The Fields is a thriller that makes a statement on big agriculture and family farms.

It opens with Chloe Miller running for her life in a cornfield. When a drone approaches she curls as close to the corn stalks as possible hoping to hide from her pursuer. Days later her body is discovered by a co-op farmer surveying the crop.

From the wounds on the body it is obvious that this is a murder, making it Sergeant Riley Fisher’s first big case as head of the Investigations Division of the Black Hawk County Sheriff’s Department. The pressure is intense as the sheriff wants a quick resolution, the men who wanted the promotion she got are waiting for her to fail, and the victim was a childhood friend. A friend from a time that Riley desperately wishes she could forget.

Chloe was married to James who is a researcher for GFT, a corn breeding company. They live in an affluent part of town so how did Chloe end up in the field and where is her car? James immediately becomes a suspect as he never reported his wife as missing.

Her team starts building a case, collecting evidence and conducting interviews. Then another body is found. This victim was strangled but had some of the same wounds found on Chloe. Nicole King was killed in an old meat-packing plant and evidence points to someone camping in the plant. Besides Nicole’s purse and a backpack there are lots of pill bottles from a local pharmacy. The evidence leads to a displaced veteran, George Anderson. But Anderson seems to have disappeared along with others who have been living on the streets.

The pharmacist identifies the drug as Fenozen which at least one of his former employees had been stealing. One of the suspected thieves is Sarah Foster. Sarah is known to the department because her daughter, Gracie, has been missing for weeks and believed to be a runaway.

Despite the wounds the two victims don’t have anything in common so James Miller is still Riley’s number one suspect in Chloe’s death. First the sheriff and then the governor warns her to leave James alone. Riley’s father worked for the governor in the past so he knows her but why is he steering her away from Miller?

Then Gracie is found in the river with similar wounds to the other two victims. Black Hawk County now has the requisite three bodies to think they have a serial killer. But the only thing tying the victims together is the strange wounds. The cause of death is different for each victim and they have nothing in common except their gender.

Is there one murderer, two or even three? When the FBI comes in to assist, Riley knows she has to solve the case quickly or lose it. But how do you find such an unpredictable killer or killers?

There is a lot going on in this novel. Riley has the pressures of her job and uneasy relationships with some of her colleagues plus the past trauma this case stirs up. Then there is her substance abusing brother, his fourteen year old daughter and her grandfather dying from dementia. Add in the complexities of the case along with some political intrigue and eco-terrorists and it‘s hard to keep everyone straight. I found myself stopping a time or two so I could remember where the character fit in.

Most of the story is in the third person but Riley speaks in her own voice occasionally and there are a couple of chapters from an unnamed character giving you a glimpse of someone spiraling out of control. Is this the killer or a potential victim?

I like well-developed characters and Riley fits the bill. Once all the different plot lines were in place the novel rushed to an action-packed ending. I will give you fair warning, the author doesn’t shy away from gory descriptions and there is a horror element I didn’t expect.

This is the first book featuring Riley Fisher. A second book, Original Sins, was released in March. If you like Karin Slaughter’s novels or enjoyed The Killing Hills by Offutt or Highway by C.J. Box, I recommend you give this title a try.

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Review written by Patty Crane, Reference Librarian

The Latinist by Mark Prins

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Some books are easier to lean into than others. I know, context is key here. Yet, despite the subjective sentiments attached to that statement, most readers can relate to the idea of finding “that perfect fit,” in terms of one’s literary preferences. As situated individuals, ideological conviction and lived experience often form the basis by which we assess the value of literature. That said, contextually speaking, Mark Prins’ debut novel, The Latinist, is easy for me to like.

Set in the ivory towers of Oxford, this is the story of Tessa Templeton, a PhD candidate and graduate assistant to world renown classicist, Christopher Eccles. The basic premise is rather simple. Tessa is in her final semester at Oxford. She’s finishing up her dissertation while patiently waiting for a callback from any of the myriad of institutions she’s applied to teach at. In the midst of this waiting, Tessa’s long term boyfriend, Ben, concedes to the demands of dating a doctoral candidate and abruptly ends their relationship. Shortly after the breakup, Tessa receives an anonymous email that reads, “You might want to reconsider asking Christopher Eccles for a recommendation letter in the future.” Just beneath this ominous text, Tessa sees a thumbnail of a rendering of Chris’ recommendation letter. Phrases like, “Tessa has made strides from a rocky beginning to her doctorate,” and “[w]e met more regularly in her first year than is normal with the students I supervise,” and “sometimes she is hindered by the tendency to be argumentative” are scattered throughout the document. This incident sets the stage for what turns out to be a thrilling, page-turning tale of suspense, lust, and the power of a determined soul.

Well, that last bit was a little dramatic, right? Still, this book is quite the read, especially for a debut novel.

A major plot thread woven throughout this narrative involves Tessa and Chris’ relationship. At the heart of Chris’ less than flattering recommendation letter is his desire to keep Tessa close. In short, he doesn’t want to share Tessa, thus his willingness to resort to sabotage. Having just ended a long-term relationship himself, Chris has developed feelings for his most prized graduate assistant. All throughout the book one finds references to Tessa’s superiority over her classmates. Chris has groomed her to be the top of the class, and to make huge waves in their discipline. In the midst of all that grooming, romantic feelings have blossomed. The problem is, the romantic feelings are one sided, thus leading the reader to one of finer aspects of Prins’ storytelling: Chris and Tessa’s relationship dynamics serve as a meta-narrative of Tessa’s academic pursuits.

To be more exact, Chris and Tessa’s story is a reimagining of her dissertation topic, which centers on Ovid’s classic take on the Apollo/Daphne myth, as outlined in his work Metamorphoses. That is, Tessa is studying an ancient story about a god whose unrequited love forced a nymph to drastic measures (i.e., turn herself into a laurel tree). Does that sound familiar? It should. This is Chris’ and Tessa’s story, minus gods, nymphs, and laurel trees. The groundwork for this story is laid out in part one of the book. From that point on, Tessa’s drastic measures begin to unfold, and they do so in a rather epic manner.

This story is captivating, to say the least. Prins’ writing style suits my tastes–sharp, witty, and intellectually stimulating. His pacing and prose are interesting. He takes his time in developing the points he wishes to make, and he does so in a somewhat untraditional way. He moves back and forth between both perspectives (Chris’ and Tessa’s), and doesn’t stick to a chronological telling of most stories. Again, it takes a while to get to where he’s going. That said, when he gets there, it seems worth the cost of admission more times than not.

Going back to where we started, I resonate with this story. Anyone who has experienced the rigors of grad school–especially in more competitive disciplines (e.g., humanities) –may be able to resonate. Additionally, I’m a sucker for myth. Thus even without the stellar writing, this book would have great appeal. This is a solid story that takes a simple premise and adds layers of complexity by incorporating rich and meaningful expressions of storytelling and well developed, empathetic characters. So, if any of that sounds appealing to you, this might be your next great read. You can pick it up in the New Adult Fiction section of the library.

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